UKs 70 year olds are far less likely than their American counterparts to share Christian memes. They share different kinds of reactionary memes suggesting that ‘woke’ and what they think is hilarious to call ‘elf and safety’ are the causes of why things are so shit now rather than looking somewhat closer to home.
Why does there even need to be a COP every year? They know what to do, they know what will be enough and they have the authority in their home nations to do it. COP is just theatre.
Far as that cat is concerned they’re the real star in that picture and the strange human is just photo-bombing.
Now all we need is for the CIA to take responsibility for the Islamic State and the circle of life (and death) is complete.
Similar thing happened back in the 80’s at a Sorting Office where I worked. The letters, then, were sorted into a 48 box fitting. They took a row of 48 box fittings down and discovered a postcard that was alleged to be 100 years old. I think they had a little ceremony with the living descendants of the addressee. This was when the Royal Mail prided itself on delivering the mail.
Look into the history of 2-Tone, you’ll find that it was not appropriated but a movement deliberately calculated to bring black and white teenagers together.
Ska is simple, fun music that cares little for anything other than being fun, and is often gleefully immature.
Ska, as youngsters know it today, was reinvented by the 2-Tone movement in the UK (specifically Coventry) in the late 70s. The scene was overtly political and as @NuPNuA has stated was a deliberately multicultural movement, hence the name.
If you want to hear some original ska from Jamaica then have a look for songs by Prince Buster but beware you will find some historical attitudes.
Just FYI, the CEO of Fable Studios is one Edward Saatchi. His father is Maurice Saatchi whose advertising agency was partially responsible for ten years of Conservative rule under Margaret Thatcher. The family absolutely has previous with union bashing.
Make Medium Readable Again
Thanks for that, I shall install it if I find a lot of interesting content is posted on here from there.
Thanks, I didn’t see it and now have read it :) That Medium sign in method really sucks though.
Thanks, I didn’t see it and now have read it :)
Can someone post the text? Medium won’t let me sign in.
I look forward to the aliens response being something along the lines of, “You’re God’s best boys and girls, yes you are, who are blessed little ape-beings? You are, yes all of you.”
I can see why you might think that from reading about it in 2024 but I’d suggest to you that the tempo slowdown is the major factor. Ska is an uptempo party music. Rocksteady slowed the tempo down and Reggae generally kept the tempo at that slower pace.
Also there was a progression of people leaving skinhead for rock following more high energy bands like The Who and The Small Faces and going through the psychedelic changes into Rock at the end of the sixties.
The fans of ska had no problem with reggae, especially Bob Marley, who was collaborating with Mick Jagger in no time. It’s just they’d moved on from skinhead because the scene had become much more associated with violence. There was also the very deliberate efforts of the National Front to recruit football supporters during the early 70s heyday of football hooliganism. A lot of the people that were into violence were attracted to the second wave of skinhead just as cultural changes to the music in Jamaica and the UK meant that a lot of the first wave were evolving into mods and then some of them hippies and eventually you see the emergence of street punk at the end of the 70s.
As for Rastafarianism, that was not at the time a dogmatic religion like Catholicism or the Moonies but arose out of cultural immersion and community practice in the places in Jamaica where most of its adherents lived. I don’t think it is a matter of being too black, it’s just that it’s very specific to Jamaica and eventually the Jamaican diaspora.
Edit: It’s no accident that the third wave of skinhead was kickstarted by Two Tone and was explicitly multi-racial and also that Two Tone harked back to uptempo ska.