“So, I tied an onion to my belt, which was the style at the time. Now, to take the Ferry cost a nickel, and in those days nickels had pictures of Barclay on 'em. ‘Give me five Barclays for a quarter,’ you’d say. Now, where were we?”
Don’t think they’re including shuttlecraft. It’s a bit hard to read but I can’t see the Cerritos’ Death Valley scanning through that area of the alphabet. I do note that Discovery is there in both original and -A format, which might be contentious since the ship is its own refit.
For me the Prodigy and Lower Decks theme songs are among the best in the franchise because they’re versatile. You can have a slow, tender violin motif from the LD theme such as when Tendi was telling Mariner that the Beta shifters were her family at the end of season 2. A slightly different part gets a brassy remix as the swelling Crisis Point theme music for the Cerritos.
Not all Trek melodies do this. Voyager’s got a lovely melody that feels appropriate for a grand trip homeward, but they tried using it at some big plot moments and it just felt wrong. Disco and TNG have the opposite problem where their themes are CONSTANT INTENSITY, so you don’t often see them used in softer moments. (The latter is very weird to me considering we have heard softer variations of the theme, maybe I just can’t think of any such uses in the series offhand).
You might want to see a doctor about that. But have fun!
In fairness, Adira does have a weird moment where they seem reticent about switching pronouns. But I’ll defend Disco’s representation because I think it’s just written with a different lens of how to treat queerness. The themes feel more modern, and more willing to explore what queerness is rather than treating it as something to be tolerated.
I’ll never forget my first watchthrough of Season 3 where Stamets refers to Adira as his child. I was floored because I’d mentally joked that Staments shoulda adopted them by now, but here the narrative was coming out and saying it. The writers dove deeper into themes like found family rather than retreading old ground. It’s heavy-handed at times, but it feels like queerness written for queer people.
If it makes you feel better, Captain Chakotay had normal pips by the time the Protostar was commissioned. Guess Janeway just didn’t want to grant ranks away from Starfleet proper.
It’s pretty impressive since pure capsaicin tops out at 16 million, guess they started putting crazier spice moulecules in. Also makes Boimler’s pain in that episode less of a gag and more of a “how are you legally allowed to have this on your table?”
Kate Mulgrew-Janeway: I don’t have such weaknesses
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Oh, very clever Worf. Eat any good books lately?
minor bit of pedantry, a minute isn’t that silhouette the Kelvin-verse Enterprise?
As far as I’m aware they never explain the rules of Stratagema. I feel pretty comfortable saying it seems like a terrible esport to spectate. You’ve got
Basically, take a minimalist strategy game like Go and an RTS game and stick them together in a way that uses the strengths of neither. That’s Stratagema. Don’t play this game, it’s dumb.
(Minor edit, after thinking this over a little it’s possible the red pieces are neutral objectives. I don’t think that correlates as well with the finger movements, but whatever. That’d just make Stratagema 3d Liquid War with mario kart powerups tacked on)
“You reckon it should just be called a human name, instead then? Something silly like ‘Carl’?”
Pizza is temporary, Discovery is until at least the 41st century.
“Orange, really?”
u/Stamets likes his Star Trek hot folks to be fully clothed, damnit! Like Captain Pike! or Doctor Culber! or Captain Pike!
I mean if you look at Burnham and Sarek’s relationship in Discovery he did a pretty dang good job beating the human emotion out of her.
Sure, this kinda fucked her up emotionally in a way the series tragically didn’t look into nearly enough after season 1, but you can’t say that his methods never worked.