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Joined 9 months ago
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Cake day: November 24th, 2024

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  • it really isn’t though. I don’t really know where you live or how your local economy is organized but where I’m at people in my tax bracket are extracted for every ounce of raw money we can generate, both now but even speculatively in the future. it really doesn’t make sense to consider theft as a taboo against corporations since we are literally a resource that’s being exploited in real time for far much more than whatever artists would lose if we all stole.

    .sopuli is a Finnish board right? my understanding is that you guys have way stronger social ethics and consumer protection, so yeah. in your world I probably would sign up for that Napster subscription again. or even better, a service actually from Finland. Bandcamp is good too.

    here, though in the present we have far worse things to worry about than theft. being tricked into defending the feelings of billionaires is a big one. letting corporations curate our education and media is another. but I hope you continue to have the life where you can engage with your economy in such a good intentioned way. I miss back when I felt I could do that too.


  • woah woah woah, chill bro goddamn. let’s sit and think about this. Record labels take pretty much all of the cut for streaming. Here is the chart showing what each service pays artists per song played. I used to think Napster was the best and subscribed to them for years, which is ironic considering their history

    obviously the payout is going to vary widely but it’s common knowledge that for even the most played artists, the pay from this avenue sucks. they simply use these services to get their music to potential concert goers since that’s the income that record labels actually let artists keep. vinyls, merch, and usually tickets unless they REALLY get fucked over like child musician groups tend to.

    If You have an interest in discovering just how shady that industry is, you should watch this essay about payola and how it’s literally more profitable for a musician to die than it is to release a certain number of future albums. I’m going to stick to pirating albums and using my cash to actually see the artists I love